šš“ Packet Trick Paradise #14: Imitation Aces
Three ways to spot a counterfeit Ace of Spades & why it's called the death card. š
Difficulty: āāā (Intermediate)
Duration: ā±ļøā±ļø (5-7 minutes)
Setup Time: šÆ (Minimal)
Props: Four regular Aces and an opaque envelope.
Welcome to another edition ofĀ Packet Trick Paradise, my regular column in which I share my never-ending love of packet tricks with Ruseletter readers. In this instalment, weāll explore a fast-paced routine that uses four regular playing cards, called āImitation Acesā. Iāve designed this trick to function as a prelude to Dai Vernonās āTwisting the Acesā, but it can also be used before you perform your favourite version of Dr. Daleyās Last Trick (or any four-Ace trick for that matter).
āImitation Acesā is the first effect in a three-trick set called āDuty Acesā, which will be published in the next issue of Corrupting the Classics. Each trick in the set uses the same set of simple props (the four Aces and a black envelope). This is my attempt to create a short packet trick that doesnāt rely on extra cards; something thatās surprisingly difficult to do.
The Effect
Hereās what happens in āImitation Acesā:
Four Aces of Spades are displayed by the magician, who explains that only one of them is genuine. The three ācounterfeit cardsā visually transform into the Aces of Diamonds, Hearts and Clubs, leaving the performer with four regular Aces.
Beyond the handling itself, which is well within reach of intermediate card workers, Iāve developed a unique presentation for the trick based on the fascinatingāand largely forgottenāhistory of the Ace of Spades and its link to the British tax system.
The Death Card š
From 1711, the British Government collected tax revenue on playing cards through a series of stamp duty laws, initially requiring a hand stamp to be placed on one card, typically the Ace of Spades, as proof that duty had been paid on each pack of playing cards sold.
In 1765, this system was formalised, and card makers were required to purchase every Ace of Spades directly from the Stamp Office, which printed them with an elaborate royal coat of arms to deter forgery. Counterfeiting these āduty Acesā was regarded as a serious crime and capital offence; in 1805, the card maker Richard Harding was hanged at the Old Bailey for making fraudulent copies of the Ace of Spades. No wonder some people call it the death card! š

In 1828, an even more ornate version was introducedāprinted by Perkins Bacon on behalf of the Commissioners of Stamps (see image above). It bore a lion, a unicorn and considerably more foliage than its predecessor. This elaborate, banknote-style design became known as āOld Frizzleā. The system remained in place, in various forms, until the duty was finally abolished in 1960. However, the tradition of ornate, intricate pip designs on the Ace of Spades has endured and become a standard feature across most modern deck designs.
Shake, Snap and Sniff! š«Øš«°š
Like many magicians, I also collect playing cards, so it makes perfect sense to talk about their history when performing card magic. This trick enables you to begin with a strong hook, such as:
āHow good do you think you are at spotting a fake?ā
āDo you think you could tell a forgery from the real thing?ā
āHave you ever held a card that was worth a manās life?ā
āIād like to show you something I probably shouldnātānot because it breaks the magicianās code, but because itās treason. Well, at least it used to be.ā1
āIn another century, what Iām about to show you would have cost me my neck.ā
āIn 1805, four cards like these cost a man his life.ā
You can then continue by saying,Ā āIn this envelope, I have four playing cardsāone is genuine; the other three are forgeries.āĀ This gives you a compelling way to begin the routine and instantly captures your audienceās attention. The historical details help to sustain that interest as the routine progresses.
I particularly like the silly way the transformations are described as historic tests for detecting forgeries; you begin with the āshake testā, then the āsnap testāāboth of which sound semi-plausible (although they are, of course, complete nonsense). But you finish with the most absurd: the āsniff testā! š This presentational framing gives you plenty of scope to interact and have some playful fun with your audience, e.g., by getting them to smell the cards themselves. Of course, you can lean into the more serious and solemn side of the presentation if thatās more your thing. As I perform this as an opener, I tend to take a more lighthearted approach with a touch of the ridiculous.
Want to learn it? The full tutorial, along with performance tips and credits, is now available on my blog:
Yours Magically,
Marty
P.S. Incidentally, the suggested presentation that Iāve included would also work well when paired with Peter Kaneās Wild Card plot, in which you transform the cards into duplicate Aces of Spades. In fact, Iām currently playing with a handling by Eric DeCamps called āImpromptu Wild Card,ā which was released as a video download by Fantasma Magic circa 2008. While the product is no longer available, you can still watch a performance of it on YouTube. Iāve found that it is possible to modify the handling so that you appear to print four Aces of Spades before transforming three of them, all at once, into the Aces of Hearts, Clubs and Diamonds. Once Iāve worked out the details, this will be published as āForged Acesā in a future edition of Packet Trick Paradise.
While sometimes colloquially labelled ātreasonā, counterfeiting the Ace of Spades was more precisely prosecuted as forgery and as a capital felony (tax fraud against the Crown). But for dramatic purposes, I think itās fine to stretch the truth a little!

